![]() “My goal is to bring people into the trees and have them stay there,” she said. Haugh saw the tree removal as an opportunity to educate people about why the pines were there in the first place and what Belwin is doing to bring the area back to a healthy ecosystem. Haugh predicts that continuing to intersperse native plants with the red pines will eventually mitigate the effects of the engraver beetles and allow the remaining red pines to live their natural lifespans. As a result, in 20, Belwin was forced to remove multiple pine trees due to disease spread by engraver beetles.īelwin conservationists replaced the trees with native plants and trees. Red pines are not native to the climate of central Minnesota, however, and they were planted too closely together, creating an area with little ecological diversity. According Haugh, the Washington County Soil Conservation District planted the red pines in the 1940s and ’50s in an effort to counteract soil erosion caused by deforestation and row-crop agriculture. Paul Public Schools in 1970, Belwin Conservancy has taken pride in its unique grove of red pines. Since its foundation as a nonprofit partner of St. (Courtesy of the Belwin Conservancy) Red pines Diane Miller plays guitar at the 2021 Music in the Trees event at Belwin Conservancy. “The point is to have a good time in nature and this is a cool way to do it and highlight the reason that Belwin exists,” Haugh said. James playing cello with Daniel Lentz on violin. Music in the Trees has featured music ranging from Appalachian banjo to classical European, to Yiddish klezmer, rock and roll and more.Īlong with Ganguly, Sengupta and Merblum, music this year will include a guitar and vocal performance by Hannah Lou Woods, Nathan Hanson on the saxophone and Chris Bates playing bass, Steve Clarke and Laurie Knutson on the bass flute and Native American flutes, respectively, Tom and Mira Kehoe, Scott Nieman playing the 10-string cittern, and C.B. “Music in the Trees brings music into the natural environment and welcomes people to sit and be a part of all of it.” “Concert halls create massive obstacles and come with a false narrative about what people think is expected of them,” she said. ![]() Merblum said she enjoys challenging the idea that music must be heard in a concert hall. ![]() “I was talking back and forth with the birds and improvising,” she said. Merblum also plans to improvise on the cello this August, alongside pieces by Pablo Casals, Dvorak and Chippewa composer Jared Tate. “It almost felt like the tops of the trees were responding to the music and we were in conversation,” she said. Ganguly, who sings and plays a shruti box, improvised much of the music. Ganguly said performing folk music outside, as it was intended, helped her rediscover a genre she had grown up with. Ritika Ganguly and Shinjan Sengupta played Bengali folk music in 2021. Music in the Trees features a variety of musical genres. ![]()
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